Pithecanthropus Erectus Charles Mingus Rar



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The Clown was Charles Mingus' second masterpiece in a row, upping the already intense emotional commitment of Pithecanthropus Erectus and burning with righteous anger and frustration. With Pithecanthropus, Mingus displayed a gift for airtight, focused arrangements that nonetheless allowed his players great freedom to add to the established. Artist: Charles Mingus Title: Pithecanthropus Erectus Released: 1985 Style: Jazz RAR Size: 377 Mb Tracklist: 01. Pithycanthropus Erectus 16:35 02. Peggy's Blues Skylight 12:43 03. Reincarnation Of Love Bird 13:00 04. Blue Bird 17:55. 5.0 out of 5 stars Pithecanthropus Erectus, Charles Mingus - Stands head and shoulders above the rest. Reviewed in the United Kingdom on November 17, 2009. Verified Purchase. Double bass player. All round freeform jazz guru. Famous for pushing the boundaries of experimental jazz and encouraging others to. Discover releases, reviews, credits, songs, and more about Charlie Mingus. Pithecanthropus Erectus at Discogs. Complete your Charlie Mingus. collection. From the 'Pithecanthropus Erectus' LP 1956. Charles Mingus – bass. Jackie McLean – alto saxophone. J. How to install powerpoint for. Monterose – tenor saxophone. Abaqus 6.13 software, free download. Mal Waldron – piano.

6-11-2020, 11:35
2016 | Jazz | Oldies | FLAC / APE | Mp3 | CD-Rip

Artist: Charles Mingus
Title: The Complete Albums Collections 1953-1957
Year Of Release: 2016
Label: Enlightenment [EN4CD9093]
Genre: Jazz
Quality: 320 kbps / FLAC (tracks+cue, log) / WAV (tracks)
Total Time: 5:22:45
Total Size: 742 mb / 1.19 gb / 3.18 gb
WebSite: Album Preview
THE COMPLETE ALBUMS COLLECTION 1953 - 1957 One of the most important figures in the development of American music, Charles Mingus will forever be remembered as being amongst the most inspirational and innovative composers and musicians of the 20th Century. A virtuoso double bassist and an accomplished pianist, Mingus extensive back catalogue of legendary recordings set a new standard in jazz experimentation, blending hard bop with elements of gospel, blues, classical and avant-garde. With a fearsome reputation as bandleader, Mingus direction drew some of the finest performances from the best performers ever to grace the genre, and in turn he left his mark on the work of generations of jazz musicians. This four disc collection, containing 10 original Charles Mingus records, serves as a superb introduction to the genius of the great man as bandleader. Running at over five hours in completion, with these classic records remastered to the highest possible quality, this compilation of early works demonstrates just how advanced Mingus skills were at this early point in his recording career. Featuring a host of fine supporting musicians across a selection featuring some of his most important albums, this set will prove a delight for both the long term fan and those new to the glories of Charles Mingus music.

:: TRACKLIST ::
Disc 1
Strings and Keys

1. What Is This Thing Called Love
2. Darn That Dream
3. Yesterdays
4. Body And Soul

Charles Mingus Allmusic


5. Blue Moon
6. Blue Tide
Charles Mingus Octet
7. Miss BlissRarely
8. Eclipse
9. Pink Topsy
10. Blue Tide
Jazzical Moods, Vol. 1
11. Minor Intrusion
12. What Is This Thing Called Love
13. Stormy Weather
14. Abstractions
Jazzical Moods, Vol. 2
15. Thrice Upon A Time
16. Four Hands
17. The Spur Of The Moment/Echonitus
Disc 2
Mingus at the Bohemia

1. Jump Monk
2. Serenade In Blue
3. Percussion Discussion
4. Work Song
5. SeptemberlyPithecanthropus Erectus Charles Mingus Rar
6. All The Things You C#
The Charles Mingus Quintet + Max Roach
Discography7. A Foggy Day
8. Drums
9. Haitian Fight Song
10. Lady Bird
11. I'll Remember April
12. Love Chant
Disc 3
Jazz Composers Workshop

1. Purple Heart
2. Gregarian Chant
3. Eulogy for Rudy Williams
4. Tea For Two
5. Smog L.A.
6. Level Seven
7. Transeason
8. Rose Geranium
9. Getting Together
Pithecanthropus Erectus
10. Pithecanthropus Erectus
11. A Foggy Day
12. Profile Of Jackie
13. Love Chant
Disc 4
The Clown

1. Haitian Fight Song
2. Blue Cee
3. Reincarnation Of A Lovebird
4. The Clown
Mingus Three
5. Yesterdays
6. Back Home Blues
7. I Can't Get Started
8. Hamp's New Blues
9. Summertime
10. Dizzy Moods
11. Laura
Alto Saxophone – Jackie McLean (tracks: 3-10 to 3-13), John LaPorta (tracks: 1-11 to 1-17, 3-1 to 3-9)
Alto Saxophone, Flute – Eddie Caine (tracks: 1-7 to 1-10)
Alto Saxophone, Tenor Saxophone – Shafi Hadi (tracks: 4-1 to 4-4)
Baritone Saxophone – George Barrow (tracks: 3-1 to 3-9), Teo Macero (tracks: 3-1 to 3-9)
Cello – Jackson Wiley (tracks: 1-7 to 1-17)
Clarinet – John Laporta (tracks: 3-1 to 3-9), Teo Macero (tracks: 1-7 to 1-10)
Conductor – Paul Bley (tracks: 1-7 to 1-10)
Double Bass – Charles Mingus
Drums – Clem De Rosa (tracks: 1-11 to 1-17), Dannie Richmond (tracks: 4-1 to 4-11), Kenny Clarke (tracks: 1-7 to 1-10), Max Roach (tracks: 2-3, 2-7 to 2-12), Rudy Nichols (tracks: 3-1 to 3-9), Willie Jones (tracks: 2-1, 2-2, 2-4 to 2-12, 3-10 to 3-13)
Narrator – Jean Shepherd (2) (tracks: 4-2)
Piano – Charles Mingus (tracks: 1-11 to 1-17), Hampton Hawes (tracks: 4-5 to 4-11), John Lewis (2) (tracks: 1-7 to 1-10), Mal Waldron (tracks: 2-1 to 2-12, 3-1 to 3-13), Spaulding Givens (tracks: 1-1 to 1-6), Wade Legge (tracks: 4-1 to 4-4)
Tenor Saxophone – George Barrow (tracks: 2-1 to 2-6, 2-8, 2-11, 3-1 to 3-9), J.R. Monterose (tracks: 3-10 to 3-13), Teo Macero (tracks: 1-7 to 1-17, 3-1 to 3-9)
Trombone – Eddie Bert (tracks: 2-1 to 2-12), Jimmy Knepper (tracks: 4-1 to 4-4), Willie Dennis (tracks: 1-7 to 1-10)
Trumpet – Ernie Royal (tracks: 1-7 to 1-10), Oliver King (tracks: 1-11 to 1-17)
Vocals – Janet Thurlow (tracks: 1-7 to 1-10)

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Charles MINGUS - Pithecanthropus Erectus 1956
Jazz
One of the great figures in modern jazz, bassist Charles Mingus was the ultimate triple threat: a master of his instrument, a jazz composer of the first rank, and an insightful leader of a series of extraordinary and incendiary bands. Raised in Los Angeles, Mingus was a devotee of Duke Ellington, whose compositional style had an unsurpassed effect on the young composer. As a player, however, Mingus was drawn to his contemporaries, who included Thelonious Monk, Bud Powell, Charlie Parker, and Max Roach (indeed, Roach and Mingus co-owned their own Debut Records during the '50s). Perhaps his greatest contribution was bridging the gap between those two generations: in Mingus's music, one could always explicitly hear the continuity between the big bands and the bebop era, the affinity between the romantic and the modern. Although he had recorded extensively for numerous labels including his own Debut Records, Mingus's relationship with Atlantic would yield many of his greatest recordings. Cut in 1956, Pithecanthropus Erectus was his first date for the label, and it provided something of a breakthrough for Mingus in his use of extended compositions: the 10-minute title track, and the lovely 'Profile of Jackie,' are among the bassist's finest recordings. The band is notable for the inclusion of the under-recorded tenor saxophonist J.R. Monterose.
By Fred Goodman.
**
This is a showcase for Mingus the bassist as well as Mingus the composer. His sound is recorded extremely well, and his technique, sense of rhythm, and improvisation are just astonishing. I've never heard his bass so well before.
He begins the title cut with a 4-bar motif that's almost as compelling as 'A Love Supreme.' He works this motif with virtuosity, and he is especially effective in his interplay with the pianist, Max Waldron. While some may see this as a harbinger to free jazz, it's really quite accessible, and the 'wild' sounds return logically to the theme. Emotionally gratifying; it's one of his best works.
The big disappointment here is 'A Foggy Day (in San Francisco).' Mingus places various urban sound effects, which 'The Penguin Guide to Jazz' calls superficially jokey.' To me, it's just simply annoying. The repeated taxi horn sounds, etc. are just done too often. Were it not for the overall quality of the other music, I'd take away a * from this CD. Foggy Day does feature some nice sax work (Jackie McLean, J.R. Monterose), swinging bass, and some whistle blowing a la 70's and 80's funk. (Was Parliament listening?).
'Profile of Jackie' is a brief (3:07) mood piece, McLean nicely interpolates 'Chelsea Bridge' and his playing is soulful and sharp. It's a beautiful ballad with nice comping by Mingus, and Willie Jones' deft touch on drums.
Love Chant is the longest piece here (14:56) and, I think, is overlooked in the Mingus discography. There's some very progressive bass work propelling an initially slightly cool jazz/modal sound. The first third features interesting percussive effects, effective abstractions on the piano, and mellow tones on the horns. After this, the beat picks up (sometimes veering into some hard bop accents), and the horns soar above Mingus' beautiful playing. Once again, the Mingus/Waldron improvisations are excellent.

Pithecanthropus Erectus Charles Mingus Rarity


Again, this is an excellent CD, even with the somewhat overdone 'Foggy Day.' Not sure what they did, but it has an almost live sound to it that I loved. Brief liner notes by Nat Hentoff, and more extended notes on each cut by Mingus enhance one's appreciation of each track. Very highly recommended!
By M. Allen Greenbaum.
**
Charles Mingus- Acoustic Bass,
Willie Jones- Drums,
Also:

Charles Mingus Autobiography


Pithecanthropus Erectus Charles Mingus Rarely

Jackie McLean, Mal Waldron, J.R. Monterose.
**
01. Pithecanthropus Erectus (Mingus) 10:36
02. A Foggy Day (Gershwin, Gershwin) 7:50
03. Profile of Jackie (Mingus) 3:11
04. Love Chant (Mingus) 14:59
**
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